Colour Theory for the Practicing Artist  Part 1 

Feb 9 or  May  4  2019 . from 1130-430  pm ( bring your lunch and all materials)

Fee $107.35 (includes Taxes and surfaces only) Limited Space Please book Now!     Location:  ARTiculations  2928 Dundas Street west   www.articulations.ca

Colour Theory for the Practicing Artist  Part 2 

  Feb 10 or  May  5  2019 . from 1130-430  pm ( bring your lunch and all materials) Fee $107.35 (includes Taxes and surfaces only) Limited Space Please book Now!     Location:  ARTiculations  2928 Dundas Street west   www.articulations.ca

IN Part 1: In this full day workshop students will explore how colour works in relation to  its neighbours on the colour wheel. We will paint our way through true primary , secondary and tertiary colours along with homologous, analogous and complementary colours. Along the way we will gain some language about colour from hue, warm , cool,   tint, tone, intensity , simultaneous contrast, luminosity and what each colours value is on the grey scale.   We will also look at Colour Theorists, Itten, Munsell,  and Goethe. This is a hands on workshop where you may use the paint you already have to create useful colour wheels and value scales that help you further understand what your chosen palette can do .

IN Part 2: In this second workshop the use of colour in practical exercises will help hone the skills of  what colours to use when . We will look at creating depth, space,  lustre ,  luminosity as well as the theory of Extension  and Simultaneous Contrast.

If you are wanting to explore colour theory in its truest sense then using  acrylic gouache** is the best medium to be working in  as it dries  quickly, matte (with no sheen) , is opaque, and does not flake. Holbien is a  great brand. Reeves is  inexpensive  but may flake. We want paint to be ideally opaque and matte so  the hue won’t be influenced by the surface or by the shininess of the paint.   **Colour theory can be done in  any paint medium; watercolour, oil, tempera,  and acrylic; however all of them have their own challenges. Watercolour should not have the use of white as the paper acts as the white and paint is transparent but does dry quickly. Oil paint takes a  long time to dry and can act quite transparently with a sheen and turns muddy quickly. Also more brushes are needed as clean up is challenging . Acrylic comes in many brands  that  varies in sheen,  transparency and opacity along with “open paints” that are sticky and take a really long time to dry.  Tempera of a low quality will mix unevenly with a gritty nature and can flake off after it dries.

Materials list:
2H or HB pencil
Palette that can hold many  colours at once (several  plastic yogurt lids are great )
#2, #4, talkyon( very soft usually uised for watercolour, synthetic)  round tipped brush and or #4, #6 talkyon flat edged  brush – it makes a smoother surface than hogs hair brushes and holds paint better.
2-3 Water containers, paper towels
As this course is about learning about how your paint qworks with the colours you already own this is what would be greta to have in your palette. The colours needed for this workshop are: (titanium) white, (ivory) black , yellow,  red and or magenta, and   blue .  If true primaries are unavailable then owning cadmium red medium, magenta, lemon yellow, cadmium yellow medium, ultramarine blue, pthalo blue( green shade)  or cyan are your good suggestions as  options .You can take these two workshops over and over again and switch out what colours you use….. Exploring other yellows;  like  ochre or  naples,   reds ; pyrole, carmine, permenant rose and blues; turquoise, cobalt, or cerulean are great ways to further  what your personal palette does. 

 Meditative Dot Painting Workshop   Sunday February 24th, 20219.

1230-430pm Adult- 4hrs- Fee: $62.15

Learn about the Australian Aboriginal dot painting technique. Using  small sticks and dowels of various sizes to create an intricately patterned tile. No painting experience is necessary. This is a great technique for those interested in pattern, rhythm and colour mixing. The state of being is altered through music and the simple action of painting dots to become a meditative state.

Saturday January 26, 2019.  from 1030-130. Landscape Painting Techniques- FREE.  

Learn how to create a contrived landscape with a dozen techniques ranging from graduated wet blend to scumble -smuffato,  soft to hard , spatter, stipple, dry brush, schlapitka , wet into wet, pounce, impasto and sgraffito. Then apply this to a sample picture you choose and actually apply these new found techniques.

Saturday February 2, 2019. from 1030-130  Meditative Dot Painting- FREE .

Learn about the Australian Aboriginal dot painting technique. Using  small sticks and dowels of various sizes to create an intricately patterned tile. No painting experience is necessary. This is a great technique for those interested in pattern, rhythm and colour mixing. The state of being is altered through music and the simple action of painting dots to become a meditative state.

Abstract Painting Exploration

Fall: October 2 – Nov 20, 2019  Winter: January 15- March 4, 2020   Wednesday from 930-12pm Fee: $330 includes hst

The themes looked at in this experimental course will be learning and  honing  acrylic painting techniques, gaining facility in painted collage and creating intentional  painted collage (much like Mickalene Thomas) , extreme textured painting of single ideas and patterns with modelling paste, as well as reacting to the world and artists that inspire you . We will work on small studies along with larger format paintings of some of these ideas. This course is intended for all abilities and to encourage the often difficult process of critical thinking behind abstraction. Materials used will be acrylic paint, matte medium, mixed media drawing tools on cougar paper & stretched canvas.

Drawing Explorations

Fall: October 2 – Nov 20, 2019 Winter: January 15- March 4, 2020 Wednesday from 1230-3pm Fee: $330 includes hst & some materials

Whether you are taking the first step to becoming a drawer or been drawing for years, this course offers a chance to explore different drawing practises in a nurturing safe environment. Each week different media and subject matter will be explored from simple graphite pencils, pencil crayons, markers to India ink, oil and chalk pastel. All that is needed is a sketchbook, some loose paper and drawing tools. Lauren will provide interesting forays into using wet mediums, washes and collage to enhance your images. Drawings will come from direct observation as well as your imagination.  Subject matter will include; still life, botanical, architectural renderings, perspective, pattern making, portraiture and landscape.

Plein Air City Sketching  Spring 2019 -5 weeks Day TBA  from 10-1pmFee: $170 includes hst

Want to get out and experience Spring in the city with the eye of an artist? This course is for you! We will be drawing from all aspects of the city, with busy streets, tall buildings, nifty architecture to the lake side or in Nathan Phillips Square. Have sketchbook will travel! Our first day will start at LucSculpture and look at some strategies of drawing, needed to help navigate the challenges of perspective, texture, plant life to bricks and mortar.  All locations will be navigable by TTC or car and not much walking will happen once we land in our weekly location. Pencils, or pens, or watercolours, sketchbook and a seat are all musts.

Colour Theory for the Practicing Artist  Date: Saturday Nov. 2 2019, Feb 1 2020 or May 2 2020, 9:30 -4 pm.  Fee: $130 (including Taxes) Bring lunch and all materials. Location: LucSculptureSchool, 663 Greenwood Avenue

In this full day workshop students will explore how colour works in relation to its neighbors on the colour wheel. We will paint our way through true primary, secondary and tertiary colours along with homogeneous, analogous and complimentary colours. Along the way we will gain some language about colour from hue, warm, cool, tint, tone, shade, intensity, simultaneous contrast, luminosity and what each colours value is on the grey scale.   We will also look at Colour Theorists, Itten, Munsell, and Goethe. This is a hands on workshop where you should use the paint you already have to create useful colour wheels and value scales that help you further understand what your chosen palette can do.

Materials list:
2H or HB pencil
Palette that can hold many  colours at once (several  plastic yogurt lids are great )
#2, #4, talkyon( very soft usually uised for watercolour, synthetic)  round tipped brush and or #4, #6 talkyon flat edged  brush – it makes a smoother surface than hogs hair brushes and holds paint better.
2-3 Water containers, paper towels
As this course is about learning about how your paint qworks with the colours you already own this is what would be greta to have in your palette. The colours needed for this workshop are: (titanium) white, (ivory) black , yellow,  red and or magenta, and   blue .  If true primaries are unavailable then owning cadmium red medium, magenta, lemon yellow, cadmium yellow medium, ultramarine blue, pthalo blue( green shade)  or cyan are your good suggestions as  options .You can take this workshop over and over again and switch out what colours you use….. Exploring other yellows;  like  ochre or  naples,   reds ; pyrole, carmine, permenant rose and blues; turquoise, cobalt, or cerulean are great ways to further  what your personal palette does. 

 

SUMMER RETREAT at UNICAMP, north of Shelburne

ARTIST’S OUTDOOR RETREAT: Connecting with Nature August 25- 30, 2019.

Unicamp Of Ontario, 638159 PRINCE OF WALES RD, MULMUR ON  L9V 0C5

Registration: 519-925-6432 or http://unicampofontario.ca/register

Connecting with Nature with Lauren  McKinley Renzetti. Using Unicamp and environs as our inspiration with its picturesque vistas, mossy craggy caves, dappled ponds, rolling hills, fantastic forests and expansive skies. We will explore the perfect location and capture the light of morning, afternoon, dusk and sunset. In three or  four sessions a day create a series of studies in watercolour paint or pencil , ink  , chalks or pastels,  with on location drawing and painting.( Lauren would like to work  mostly in watercolour this year but don’t let that hinder you if you have the room for other supplies. Waterdcolour lightweight and  is so easy to carry around. ) These studies can be  small and detailed  and can then be a spring board for larger works back in your studio or be finished works in their own right. Go off on your own, or stick with the camaraderie of the group. Be introduced to a variety of techniques and strategies to create interesting composition. This retreat is for all abilities, whether you are a practicing artist or just starting out, you set your own pace. Bring your own materials. Unicamp Of Ontario Registration: 519-925-6432  http://unicampofontario.ca

Program Fee: sliding scale $150, + Accommodation & Food about  $350

Dates: August 25-30, 2019. Sunday 4pm- Friday 4pm Limited Space BOOK NOW!

 photographs courtesy of Oliver Yang    www.OliverYang.com

Supplies & Things to Bring

Suggested Art Materials List  Basics: * means optional  Small Travel Sketchbook, along with a Canson Mixed Media Sketchbook 7 x9 , or 11 x 14 -heavier  paper for wet studies – For sunrises and sunsets the view changes dramatically every few  minutes so a few sketchbooks or surfaces is good so you can do very quick sketches.

2h,2b, 6b pencil, erasure, sharpener , paper stomp, erasing shield,  *pilot fineliner or a waterbased ink pen , *watercolour pencils-derwent is lovely, reeves is economical and good too, *(digital) camera or phone with camera, water containers with lids, *foldable seat or bucket with towel to carry and sit on, blue painters  masking tape to create borders on longer  studies.ask for the  Non stickier tape,

*- option – small portable outside easel

for watercolour  water paints wet or dry, palette, talkon brushes  round, flat sizes #2-8 , sponges, wax crayon or masking fluid*, plexiglass board 18″ x 24″ , masking tape, 140lb paper block pad or individual sheets  of Waterford .

 or   for acrylic * means optional  paints white, black, lemon yellow, deep yellow, alizarin red, ultramarine blue, pthalo blue, cerulean blue, permanent green, hookers green, yellow ochre, raw sienna, burnt umber, dioxanine purple(the more colours you have the less you need to mix, you can “get away with” YRB white & black) brushes:talkon, hogs hair rounds & flats #2-8 depending on surface size *palette knives, * sponges, 8-15 surfaces :canvas pad, or small canvas boards

 Other Things to know: Unicamp is an Unitarian Universalist Camp It follows the 7 UU principals that believe we should respect all life and the earth. Explore all 7 principals through art making and quiet reflection!

 Accommodation:Unicamp has 3 types of accommodation 50 tent sites (up to 6 people), 6 rustic dorms with bunk beds, bathroom and meals in dining hall and private cottages (for 6 people) with shared kitchens. Cottages and dorms go fast, so book early. You can order tasty meals in the dining hall or cook your own food. Food is usually 60% vegetarian, and they can accommodate most special diets with notification.

Bedding:Bring sheets, pillows, quilts or sleeping bags- it can get to as low as 5 degrees at night this late in the season.

Clothing:Be prepared to Layer up and layer down. During the day the weather is sunny and hot, but once the sun sets temperatures do drop. Unicamp has a 3 acre spring fed pond with swimming and canoeing. Towels, bathing suits, sweaters, wet weather clothing, sun hats, sunscreen, bug juice are also recommended.

Directions:From Shelburne take County Rd. 124 north to Redickville, go east (right) on County Rd. 21 past Honeywood to Prince of Wales, go south to #638159. There is a large sign on the left. Please note that GPS and internet map programs tell you to take County Road 20. Please do not do this as it will bring you up from the poorly maintained bottom of Prince of Wales Rd. Please take County Road 21 (some maps show Side Road 25).For more detailed information including maps please visit website: http://unicampofontario.ca/directions-to-unicamp/